Facebook
Tags
About Face acrylics acrylic technique acrylic tecnhique Bean-e-doo Braque business classes color Columbia Icons Columbia Open Studios complementary color creativity critique Demonstration Derain experimental Fauvism floor framing France gesso Ghost Ranch journaling kit landscape painting Matisse mural New Mexico open studio paint characteristics plein air Provence SC State Fair sign stencil studio supplies surface preparation texture texture medium travel tropical video Vista Lights
Tag Archives: About Face
Plein Air Day in Lexington, SC
The About Face Plein Air Group will be painting at Lexington County (SC) Museum this Saturday morning, March 19, 2011. Join us for painting and bring a dish to share for lunch. Watch the video below to see our plein air day at the museum last fall.
[youtube]http://www.youtube.com/watch?v=JUbfsjW5NwE[/youtube]
Plein Air Day at USC
This past Saturday, I arrived at the brick gates to the Horseshoe at the University of South Carolina around 8:30 for a plein air day with About Face. Everything was quiet except for the other painters greeting each other and scouting around for a place to work. The sun was just starting to light the upper stories of the historic buildings. The pattern of the palmetto tree shadows against the glowing yellow ochre of the McCutchen house attracted me. In about 2 hours I started the drawing on a previously prepared red ground and painted the image contrasting warm and cool colors. During the morning we were joined by USC students, dogs, tourists, and busloads of high school students enjoying the warm weather. Around 11:30, we gathered for lunch at Di Prato’s and critique outside in the shade with temperatures in the mid 70’s. At the end, we had 18 artists participating in the plein air event. What a wonderful day! This is the way February in South Carolina should be!
How to Find a Plein Air Location

Line up major lines of the image with lines at thirds in the viewfinder. Don't forget a landscape painting can be in a vertical format.
Now that the weather is getting warmer, it’s time to do some plein air painting!
Last fall I suggested starting in your own back yard to get comfortable with setting up your easel and making sure you have all the necessary supplies. So what do you do when it’s time to venture out beyond your own yard?
When I first started painting outdoors, I spent a lot of time driving around looking for the perfect spot. Believe me, there is never a perfect spot. There is always light at the wrong angle, or there’s a cell tower in the way, or the sun sets too fast. Not to mention BUGS. Anyway, I wasted a lot of time and gas looking. Then I started painting with a group where someone else chose the location, and I had to make something out of whatever was there. I also saw other artists make beautiful little paintings of an old tire swing or a fire hydrant, and I began to realize that the artist’s job is to see what others don’t and to create beauty from mundane situations. If you can do that, you can make a painting almost anywhere.
Even though no location is perfect, some are better than others. Here are a few suggestions for your first few excursions:
- Paint with a group if possible. It’s safer than going alone, and you can learn from more experienced painters while enjoying the camaraderie.
- Find a place in the shade for your easel. If you paint with the sun on your easel, your painting will be too dark.
- Find a spot where you are sideways to the light. That is, the light comes from the left or the right, not from behind your back or directly in your eyes. This helps to create a 3-dimensional look to your objects because they will have a light side and a shadow side.
- Use the viewfinder in your camera or a piece of cardboard with a rectangular hole about 1×1.5 inches to narrow your field of vision and help you focus. Imagine two vertical lines and two horizontal lines dividing your image into thirds each way so there are 9 sections (think tic-tac-toe). Adjust your viewfinder so that major horizontal and vertical lines in the landscape are along the imaginary lines. For example, place the horizon or edge of a lake one-third of the way up from the bottom. And put a tall tree or building at one of the vertical lines. With the basis of your composition established, draw the main lines in the same position on your support, and then draw the rest of the shapes as they relate to the main structural lines.
- Don’t worry if you don’t get further than the drawing the first few times. Painting outdoors can be overwhelming, so don’t stress about whether you finish your painting. Just relax and enjoy the process.
If you are ready to get started, you’re invited to join the About Face group for a plein air day this Saturday, February 19, at the USC Horseshoe. Meet at the Sumter Street gate at 8:30 a.m. or look for painters around the Horseshoe during the morning. We’ll meet at Diprato’s Delicatessen at 11:30 for lunch. See you there!
Plein Air Day
Since Fall has arrived in this part of the country (by the calendar if not by the thermometer), it’s a great time to be outside, so my next few posts will be about plein air painting. Here is a video from a recent day of plein air painting with About Face, a group of artists who paint portraits and figures at the Columbia Museum of Art every week and plein air landscapes once a month.
[youtube]http://www.youtube.com/watch?v=JUbfsjW5NwE[/youtube]
For more information about painting with About Face, click here.
To see more of my paintings, click here.
Next time…. How to get started painting “en plein air”.


