After working on two paintings at the same time at Mansfield Plantation, I wasn’t completely satisfied with either. For this larger one, I used a limited palette of colors and large brushes. I liked the movement of the brush strokes and the glow of the transparent underpainting, so I entered this piece in the Seaside Palette show.
Back in the studio the following week, I made some minor adjustments and finished the piece that you see at the top of the post.